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 it,” Mendelsohn said. “These great achievements are made from very normal human situations and, in Christian’s sense, a very sensitive person who doesn’t like himself that much but finds a way to do some stuff which is really good.” Oscar winner Juliette Binoche plays Coco Chanel in “The New Look.”Apple Although “The New Look” features a number of other colorful characters, including fashion designers like Cristóbal Balenciaga, Pierre Balmain and Hubert de Givenchy, they are largely defined by their connections to Dior and Chanel. Dior’s close relationship with his sister, especially as he fights to save her from the Official Kansas City Chiefs I Am Kenough Barbie Logo 2024 Shirt In addition,I will do this Nazis, forms the emotional core of the story. But the series also offers a more subtle depiction of Dior’s sexuality. During his life, Dior had a number of discreet male lovers, the last of whom was Jacques Benita, a Moroccan singer three decades Dior’s junior. Dior had at least “four or five relationships with men named Jacques” — he was living in France, after all — so the Jacques in “The New Look” isn’t actually Benita, Kessler said. “Balenciaga was someone who was in a very long-term relationship, and Dior had many friends who had relationships that were more open. But Dior, being very Catholic, there’s a lot of internal conflict for Dior around his sexuality. It’s not something that he seemed to be particularly comfortable with,” Kessler noted, adding that there could be opportunities to explore that part of his personal life further in future installments. “It’s part of the story, but we’re trying to depict it in a way that felt truthful to Christian Dior himself.” Dior, who was Catholic, struggled with his sexuality.Roger Do Minh / Apple In “The New Look,” Jacques is played

by David Kammenos, who according to Mendelsohn is “the Official Kansas City Chiefs I Am Kenough Barbie Logo 2024 Shirt In addition,I will do this perfect match for Dior” because he is able to counterbalance Dior’s more “florid, neurotic” energy. He and Kammenos “would go for it” in every one-on-one scene that the lovers shared — “we had fights, we made out, we did everything” — but Mendelsohn said it was important that the show didn’t try to define Dior’s sexuality for the audience. What Mendelsohn found arguably more compelling was the show’s depiction of the close friendships among the male designers of that era. For example, he pointed to a scene in the third episode in which Dior, still reeling from his sister being sent to a work camp, eats a bit of chocolate with Balenciaga (Nuno Lopes). “That type of male closeness is not a type of male closeness that I’ve ever performed before,” he said. “To be able to look at each other in a way that is a different type of male togetherness and understanding and have it not be an event, and have it just be a type of a closeness or at ease with each other, was beautiful.” Although “The New Look” could have been billed as a 10-part limited series, Kessler said the show was originally conceived to track the rise of the modern French fashion industry and, if Apple TV+ chooses to order additional episodes, could theoretically last five or six seasons. Series creator Todd A. Kessler said “The New Look” was originally conceived to track the rise of the modern French fashion industry.Roger Do Minh / Apple The first couple of seasons would focus on Dior and Chanel, “and there’s a handoff at a certain point when Dior dies” in 1957 “to Yves Saint Laurent, because Yves Saint Laurent was Dior’s protégé. Yves Saint-Laurent was 21 when he took over the world’s most profitable, influential fashion house,” he said. “Not only did Yves Saint Laurent have a personal life and an extraordinary story that even rivals Christian Dior’s story, but you then get the understanding of how these fashion houses were handed over to other designers that worked under the name of the founder, which up until that point hadn’t really happened,” Kessler added. “By following the life of Yves Saint Laurent for the latter seasons, it brings us closer to where we are today in the world of fashion.”

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